Selected Zoidworks 05-12 by Zoid

  1. Aerosoul 03:20
  2. Phroph 04:59
  3. Acid Leaves feat Bruce Morley (2012 Edit) 04:55
  4. Particle Dither 05:01
  5. Obelisk 02:32
  6. Cember 03:45
  7. East Pier Early Morning 05:16
  8. jwrong 06:15
  9. Bluesqueek 03:58
  10. Munch 04:34

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This album is a real joy. The odd time signatures add a pleasingly unsteady organic quality that complements the crisp artificial beats.

Selected ZoiDworks 05-12, from ZoiD, the electronica alias of Dublin musician Daniel Jacobson and the latest addition to the genre-warping series of album releases from net label Invisible Agent.

While the title alone is a clear nod to the groundbreaking AFX releases of Richard D. James, and those looking for squelchy breaks and glitchy beats with the occasional old school acid overtone will not be disappointed, Selected ZoiDworks 05-12 is so much more than a frenetic exercise in ambient electronica.

Jacobson is a classically trained jazz musician, and from the opening bars of Aerosoul to the asynchronous beats of Particle Dither you are transported to the smoke-filled club of an improvising trio, though the free jazz notes they play were midwifed by a 303. Acid Leaves (with Bruce Morley) builds up to an acid rise and then subverts the expected break with a segue into a classical guitar riff that would not sound out of place on The Deer Hunter soundtrack, a theme continued on the soft yet driven Obelisk.

The ambient East Morning Pier, the darker Bluesqueek and pulsing Cember, and the 8-bit exercise in glitchy thumps Munch would reject any attempt to classify them as jazz, but even here its tempo, breaks and styling continue as a noticeable undercurrent, though one evolved almost beyond recognition.

The jazz/electronica path is one that is not well worn, perhaps because the cut-and-paste rhythmic regularity of a 4/4 laptop beat rarely plays well with the improvised fast-and-loose clashes of an off-tempo noodler. Where Brad Mehldau has drawn on Radiohead for his fusions, Jacobson has created something new and original, organically splicing the two with his own compositions, sometimes seamlessly, sometimes with a jarring dissonance, but always stronger than the sum of their separate traditions.

A difficult task, but done with apparent ease.

Download the onesheet here

“This album is dedicated to the memory of Bruce Morley, who passed away on 22nd November 2012. An inspirational person who I’m fortunate to have met. In a short space of time he taught me an incredible amount about music and life.” – Daniel Jacobson

zoid thanks: lisa, matthew, mum and dad, warren, aoife mooney, robin fuller, dorota konczewska, dennis macnulty, alan o’boyle, eomac, nick and olesya, pawel wysota for the bass notes on jwrong, roger doyle, derek, alan dobbyn, chris o’connore, drew mcmillan


Utilising both expermemtation and improvisation to create something unique is a tough task in today’s world. Zoid seems to have utilised both and has created something that will be tough to top in its field  – We Are Noise


This album is a real joy. The odd time signatures add a pleasingly unsteady organic quality that complements the crisp artificial beats. –  ContactLight / Michael Noble


Plenty of really enjoyable stuff going on here. – Louder Than War / Philip Neeson


It’s a tricky blend to pull off, this skidding collision of electronica and jazz, but in the hands of Zoid, it tends to work.